Are you interested in participating in the 2018 Studio Tour?
To be considered for participation, complete the read the information under “Get Involved” . Then complete the Registration Form located on our web page and email us in your photographs by Feb. 28th, 2018.
Applications will be reviewed by early March.
If you are a member of a National or Provincial juried membership (such as the NB Craft Council, SCA, CSPWC etc.) and you have a studio in Kings County, your application will be accepted without jurying (available space dependant).
Please contact us if you require further information by filling in the form on the contact page.
I have been making art ever since I can remember. My mother always encouraged me to draw and paint. It has always been a part of who I am.
Describe your creative process. Does experimentation come into play?
This method is a very non-traditional method of painting, it uses wax in a similar fashion to batik but I use rice paper and watercolour instead of fabric and dye. This process is very exciting to me with the many alternating layers of colour and wax. Normally you would watch your painting come to life as you paint it, but with this method of painting I have to trust my creative instincts until the end when I remove all of the wax and see the final result. I am constantly experimenting and trying new mediums and techniques; as an artist I believe you never stop learning.
What draws you to paint natural forms and landscapes?
Growing up in the country gave me a lasting connection with nature. The vast array of colourful flowers, beautiful landscapes and peaceful trails through the woods kept me captivated. These qualities of nature are what fuel my creative spirit and are reflected in my art.
Colour seems to play an integral role in your pieces. Can you talk about your approach to colour?
I have always been drawn to bold rich colours. With the watercolour batik I do not mix colours. I layer one colour and after it is dry, I layer another one on top of it to make the next colour I need. This gives the colours a variegation and glow that is not possible when you use a mixed colour.
What current projects are you working on?
I have recently started painting flowers in oil; I love the vibrant colours and texture that can be achieved with this medium.
Check out the amazing new work from Martha. We love all the fresh new colours.
My pottery is constantly changing and evolving, most is functional although some pieces are purely whimsical. My functional forms are simple with subtle alterations, a little texturing and glazes that blend together seamlessly, pleasing both to the eye and the hand. It is designed to be used and enjoyed daily. Because each piece is made by hand, no two are identical. This is due to the nature of the clay, the glaze and me leaving signs of the creative process like throwing lines and marks from tools or my fingers.
There is something special about things made of clay. Each piece unique and imperfect, very much like our selves.
As someone arranges flowers in a vase, arranges food on a platter or wraps their hands around a warm coffee mug, I like to think that I have touched them in some way.