Hello fans of the Kings County Studio Tour
Hello to all the KCST fans who check our pages.
I rather thought the switch to fall for our Kings County Studio Tour would be a pain…but it’s been a gift to me.
My studio has a rotten sill and a problem with the wall and now being repaired in time for Oct. 13 and 14.
By then it will be repaired, not perfect but once again heat-able during the cold months. It’s been a long time coming but without resources, rotting sills stay rotting away allowing assorted critters access.
My neighbour Mr. Blaney called and said “you must be feeding your visitors well, they seem to be enjoying themselves.” When I asked why,he said he saw a mother and three baby racoons waddle up his drive. He watched come out from under my studio. So much for thinking I had live trapped a mother in the spring.
So if you visit you’ll see for yourself …not the racoons… but how the studio has been fixed.
I might take out the window in the painting studio….hate to loose the natural light….but it might make the wall easier to fix…and cheaper.
I should have a studio sale but that will have to wait…I am in the middle of three projects, one is a solo show at UNB Art Center in Fredericton next year. It consists of a series of portraits, 3 x 4 feet of women I consider survivors…not just of illness but of life in general. This is what I’ll be working on if you stop by. The second half of the Fredericton exhibit is a book launch and show of work featured in “Capturing Crime: 30 Years of Court Art”, the writers are Greg Marquis, Roslyn Rosenfeld and Connell Smith….with a few memories from me. It will be launched next October 2019.
WHAT MEDIUMS DO YOU WORK IN?
Clay has been the focus of much of my art life because it was immediate. Push on it’s receptive surface and you have an immediate response. I still love it and will come back to clay again. Beside using clay to make art as in the Future Fossils, a solo exhibit at the New Brunswick Museum, it has been a means of survival. My various series of mugs have sold well including a fun Christmas series of hand built work.
I missed painting so I started before the Fossil Exhibit actually with the Small Trees Series of which three large are part of the McCain Collection in Florenceville. So I continued painting with acrylics and now oils. I realized I missed this process …hence the portraits beginning the portraits in acrylic and finishing them in oils. It will be interesting to get some feedback.
I have dabbled in assorted mediums like printmaking and stone carving…and simply drawing of course. My favourite is life drawing, bodies are such a challenge.
DO YOU HAVE A MAJOR INFLUENCE?
My first influence came from my teachers, Ted Campbell and Fred Ross…. and Saint John’s Miller Brittain. I have admired many people over the years including Toulouse-Lautrec who made loose frantic marks that became a realism without being hyper realism. Early on Klimt and Schiele….those drawings are amazing! And Canadians like the independent thinker and art maker, Gathie Falk and Patterson Ewen. (plus Andy Goldsworthy who did the first of the scultpures with rock). And so many more.
But words have also been important to me, so Kay Smith ( poet and English teacher at Vocational School, now Harbour View High) has been a major influence on my life. I have 60,000 edited words for a creative non-fiction book on Gerry’s mother, a first world war bride, called (maybe) An ordinary Girl: The Life and Times Of…… Two of the stories were in the juried Fog Lit Journal last year, which will be available during FogLit this year in September.
We have painters, jewellers, pottery, furniture maker, sculptures, fibre artists and metal. This year is shaping up to the largest studio tour ever!
Joe & Gudi Pach TerraBijou
“we love to travel around the globe and get always lots of inspirations by other cultures. It shows also in always changing design ideas.”
“Visual artist Bruce Gray will be opening his workshop studio to the public for the first time. Enjoy a striking collection of works and tour of workshop and works in progress”
“I have a fascination with realistic works and this is reflected in the subjects I choose to paint. I am drawn to scenes with a strong light and shadow system. And even more importantly for me is capturing a mood and I achieve this by my choice of hues and tonal values selected from the color wheel.
“For me painting is a celebration of life and how light and color interact. The real joy is in the challenge and complexity and getting it right. I constantly strive to hold myself to the highest standards. “
Mark the dates on your calendar Saturday and Sunday, June 10th & 11th
What time of day are you most productive?
Early morning in the summer…love that time of day.
What are you currently working?
Finishing a show for Moncton in December. Because of problems with my studio this is what will be on my work table.
What would you like people to know about you, your creative process or your work?
That I’ve worked hard at it for over 30 years.
In the next five years you would you like to accomplish. Dream big!
Finish my series of women with axes and start another series of landscapes that I keep thinking about….that get my studio together.
Dream vacation? Where would you like to go and why.
Going back to Florence Italy to see the art and just to simply walk the city again. I went in 2003 as part of an International Exhibition and was awarded a fifth prize in Mixed Media, the largest category!
What music do you listen to when you are working?
Well the CBC is on, other than that, I’m concentrating and really don’t hear anything but birds in the trees sometimes.
Favourite colour? Red/orange/blue/yellow./green/ etcetcetc
Web Site: www.caroltaylor,ca (the story of my trip to Italy is at the beginning…you need to scroll a long way….partly because an elderly friend, Polly (Bernice) McQuinn wanted to have something on the internet so I placed a story she wrote years ago on my website.)