Update from Carol Taylor

Hello fans of the Kings County Studio Tour

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WHAT’s HAPPENING?

Hello to all the KCST fans who check our pages.

I rather thought the switch to fall for our Kings County Studio Tour would be a pain…but it’s been a gift to me.

My studio has a rotten sill and a problem with the wall and now being repaired in time for Oct. 13 and 14.

By then it will be repaired, not perfect but once again heat-able during the cold months. It’s been a long time coming but without resources, rotting sills stay rotting away allowing assorted critters access.

My neighbour Mr. Blaney called and said “you must be feeding your visitors well, they seem to be enjoying themselves.” When I asked why,he said he saw a mother and three baby racoons waddle up his drive. He watched come out from under my studio.  So much for thinking I had live trapped a mother in the spring.

So if you visit you’ll see for yourself …not the racoons… but how the studio has been fixed.

I might take out the window in the painting studio….hate to loose the natural light….but it might make the wall easier to fix…and cheaper.

NEXT STEP?

I should have a studio sale but that will have to wait…I am in the middle of three projects, one is a solo show at UNB Art Center in Fredericton next year. It consists of a series of portraits, 3 x 4 feet of women I consider survivors…not just of illness but of life in general. This is what I’ll be working on if you stop by. The second half of the Fredericton exhibit is a book launch and show of work featured in “Capturing Crime: 30 Years of Court Art”, the writers are Greg Marquis, Roslyn Rosenfeld and Connell Smith….with a few memories from me. It will be launched next October 2019.

WHAT MEDIUMS DO YOU WORK IN?

Clay has been the focus of much of my art life because it was immediate. Push on it’s receptive surface and you have an immediate response. I still love it and will come back to clay again. Beside using clay to make art as in the Future Fossils, a solo exhibit at the New Brunswick Museum, it has been a means of survival.  My various series of mugs have sold well including a fun Christmas series of hand built work.

I missed painting so I started before the Fossil Exhibit actually with the Small Trees Series of which three large are part of the McCain Collection in Florenceville.  So I continued painting with acrylics and now oils.  I realized I missed this process …hence the portraits beginning the portraits in acrylic and finishing them in oils.  It will be interesting to get some feedback.

I have dabbled in assorted mediums like printmaking and stone carving…and simply drawing of course. My favourite is life drawing, bodies are such a challenge.

DO YOU HAVE A MAJOR INFLUENCE?

My first influence came from my teachers, Ted Campbell and Fred Ross…. and  Saint John’s Miller Brittain. I have admired many people over the years including Toulouse-Lautrec who made loose frantic marks that became a realism without being hyper realism. Early on Klimt and Schiele….those drawings are amazing! And Canadians like the independent thinker and art maker, Gathie Falk and Patterson Ewen. (plus Andy Goldsworthy who did the first of the scultpures with rock). And so many more.

But words have also been important to me, so Kay Smith ( poet and English teacher at Vocational School, now Harbour View High) has been a major influence on my life. I have 60,000 edited words for a creative non-fiction book on Gerry’s mother, a first world war bride, called (maybe) An ordinary Girl: The Life and Times Of……  Two of the stories were in the juried Fog Lit Journal last year, which will be available during FogLit this year in September.

New work from Carol Taylor…intriguing

At some point in my life I made a crowd scene and found it fascinating. I made plates with crowds scenes for a Claustrophobia show at 3rd Space curated by Mario Doucette from Moncton.
I used a mass of small figures and toy soldiers to do a series of work, one of which was shown at the UNB Art Center a few years ago. I dismantled two of them except the one that was exhibited and I always wanted to show them in different configurations because they tell a story depending on the way the group is put together. One person surrounded by people is different than one person with the crowd to one side…do you see what I mean?

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So this will be (perhaps) the final crowd scenes I do….small installation along  a rock wall somehwere.

The figures inside the containers? Well that because I’m secretive…so I’ve been told. I’ve thought up several series, one of large figures that are in my garden…what’s left of them…so this is my way of telling secrets….each pot will have one.

The child like figures with the small pyrimid are for the inside of containers…available during the KCST. The others are to go with a group of small figures I plan to install under overhanging rocks…on sitting on top…somewhere on roads between here and Sussex. This is so I can photograph them in sitsu.
CT